ready to get weird this summer? matthew dekay and lee burridge certainly are with the launch of their second imprint in 6 months following the success of their first label all day i dream. while adid represents their love of all things emotional and melodic and embraces thier signature sound perfect for their outdoor parties of the same name get weird will see releases geared towards the music they play after dark. a place to showcase more dubby, techy, slinky and sultry rhythms to hypnotize dancefloors when the sun goes down.

all 4 previously unreleased tracks by the mole, jon mcmillion, m.styles & dexter are stand out production

>arrested on charges of unemployment< ist die sechste und letzte albumveröffentlichung des the fiery furnaces-mitglieds matthew friedbergers aus seiner solo-albumserie. friedberger spielt auf jedem album nur ein einzelnes instrument spielen. hier fokussiert sich friedberger auf vocals und kontrabass. die alben erscheinen in streng limitierter auflage und werden nicht als cd oder mp3 erhältlich sein!

2012 - we are milleniumized neo, more than ever before. 1993, when techno was all over the place, german experts tommi eckart (at that time not 2raumwohnung yet) and ralf hertwig (at that time not palais schaumburg anymore) released a track, which found its way out there as a legendary underground-club classic in germany,england, benelux and france: the beat just goes straight on and on. its been sold out for years, but djs still play it in the clubs and it never lost its beat. now in 2012, almost 20 years later, the vinyl reissue being released, including the original cut and a remix by matthew styles & tobi neumann. it just goes on and on, enjoy!

excellent 5 track ep, limited to 350 copies.... grab your copy

aldo cadiz, one of the most popular producer of south america, meets an italian artist, matthew lima, owner of amazing music. tey started their relationship about 1 year ago, and one of the best score is their next release on carillon records. lluvia de verano is an amazing track, something unusual for carillon and also for this two producer. is a funky and melodic track that make a great atmosphere on the dancefloor. la noise mal is a deep trip, tribal and dark with a great male vocal. de diezmil is the dancefloor killer of the ep, solid and groovy from the first kick. hellow ashley close the release with an hip hop vocal and latin percussions. all the release is massive and you can listen all around the south american influence of this two artists

although it has found emotional music from france, russia and south africa over the years, for this release it returns to the birthplace of deep house, chicago, to focus on up and coming producer matthew wieck. opening the ep with the wiry tones and lush pads of >flying feeling< whichs take you up into the stratosphere with its floaty vibe, its complimented by >hydroacoustics<, which utilises an aquatic arpeggio lead and warm, oozing pad underneath, held together with crips, charged percussive work. on the flipside >worlds beyond< demonstrates wiecks darker side, with an acid bassline riffing against cavernous piano in what sounds like a more introverted take on larry heard. altered moods boss malcolm moore finishes off the ep with >cleared direct<, an 808 jam held together with foggy chords and disembodied radio transmissions - the perfect compliment to wiecks fine material.

beautiful post club melancholia from ill-r with a techy mrsk and a funky matthew herbert remix. great release!

die neue telefon tel aviv ep featured den berauschend schönen album-opener the birds in seiner originalversion und in zwei remixen, wie sie gegensätzlicher nicht sein können: bpc-chefin ellen allien pustet die schwermütigen nebelwolken des originals kurzentschlossen mit einem knackigen housebeat und munteren acid-sequenzen fort. ghostly international-mitbegründer matthew dear hat schon auf seinem eigenen album black city und seinen remixen für die chemical brothers, the xx und the drums eine ausgeprägte vorliebe für sinistre klanglandschaften offenbart. seine version von the birds bewegt sich stilistisch zwischen allen stühlen, verbindet sie doch kongenial singer/songwriter-elemente mit einem athmosphärisch dichten electronica-kontext. als co-autor, gitarrist und seelenverwandter tritt kein geringerer als cocteau twins-mitbegründer robin guthrie in erscheinung - nicht nur für düstere wintertage und kalte nächte der perfekte soundtrack.

matthew burton & kate rathod are the next duo to leave their distinctive mark on the visionquest imprint. delivering a deep and dreamy melodic work out with softly fractured beats and reverberating vocals >the flip side ep< is three wintry cuts of understated house music

two low slung house beauties from low slung to start his aptly titled label. andy ash and matthew kyle join the choir with 2 equally gorgeous remixes. keep it low slung!

big with: dixon, ame, joris voorn, kiki, nuno dos santos, ryan crosson, soul clap, ellen allien, jimpster, satoshi tomiie, karotte, makossa, kiki...

already supported by m.a.n.d.y., audiofly, catz n dogz, franck roger, luna city express and many more!

the brandnew label founded by matthew dekay & lee burridge !! support by: anthony collins, andy baxter, ali (tiefschwarz), marc romboy, marco resmann, terry francis, dave vega, soul clap, ryan crosson, kristian (ame), chaim, osunlade, marcin czuballa,…

excellent groovin 2011 disco / cosmic edits / slomo house

excellent deep vocal house / classic us house stuff

englishman matthew styles is a special one. firmly schooled in the history of dance music as a dj, his productions usually carry a uniqueness that cannot be located in time and space - a little bit like what courtney melody tried to put into words with his >modern girl<. styles debut for running back is his first solo release in a long while and ticks all the niceness boxes: straight up house with >dont call me again< that works itself up in a frenzy, the rough and ready >scale< performance without a ruffle, >polee< and its irresistible melody and last but not least the percussive and bass-heavy lunacy of >galaxy 21<. yee-haw! styles for days !!

diner city sounds fifth release, back to the start with matthew kyle who helped kick off the label with dcs001. four of his personal favourite tracks make up the 12, a brilliant release! a1: do it charlie - mk at his best! slow, grooving edit, super sexy vocals and really beautiful percussion. words cant describe the greatness! huge sound cloud hit as well. a2: midnight- hypnotic track, just beautiful! synths are incredible, cool little vocal and light percussion. b1: i want myself for you- fun track, one to make your booty bounce! nice use of a well known sample, brilliant vocals. all round heavy groover! b2: inside - love things slow right down on the final track. a lovely, atmospheric track with a great beat - showing off matthew kyles baby-making music talent! top class

remixes coming from laura jones, inxec and tolfrey & russo.

first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera, frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy... played and supported by marco carola, ralf, soukie & windish, larry peters, franco bianco and more. first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera , frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy..

a1: talk to me - matthew kyle delivers on this one! a huge track, great vocals as always and a brilliant beat, coupled with keys and light percussion. top class!
b1: anger - what a groove! heavy beat, cool percussion ­ this will get you moving! vocals stick in your head and the bass line is subtle but great! so good!
b2: the thrill - mk doing what he does best, the slow grooving track. beautiful. fits so well in the small world disco catalogue.

next up on deep vibes comes sascha dive with his killer remixes of matthew dears >little people (black city)<. originally released on spectral sound (spc 101) as a digital-only package a vinyl edition had to follow due to public demand. for maximum sound quality the 20 minute version got shortened to a 15 minute >vinyl cut< (a1), while the >dub remix< comes in its original form on the flip-side (b1). sascha dive and matthew dear met on the road a few years back. in 2008 matthew dear featured a remix by the deep vibes boss on his watergate mix-compliation. when they played together in munich in august 2010 dear asked dive, if he wanted to do a remix for his upcoming album. the only condition dear asked him for was that it had to be the wildest and most crazy remix that dive could possibly do. little people (black city) is the probably strongest song of matthew dears recently released album black city. sascha dives remixes are on heavy rotation and played by a wide range of djs. make sure you get this joint in the box!

m.a.n.d.y. and matthew dear lit up new york city in 2010, with their buddies club night, and - as m.a.n.d.e.a.r. - with their own urban dancefloor myth, the unreleased track >buddies<. the cut fused deep hypnotism with dancefloor abandon, swirling sheen hints of disco and an infectious sing-along hook. by keeping it close to their chests for months on end, m.a.n.d.e.a.r. drove anticipation into fever pitch, and >buddies< finally burst out of the gate in october as the opener of thomas schumachers 8 years get physical music compilation. now, >buddies< is fully realized with reworks from some of the best in the business - m.a.n.d.y., radio slave, smash tv and siopis. philipp jung and patrick bodmer make >buddies< over into a sleek late night beast with their m.a.n.d.y. remix

proving an extraordinary outlet for pure soulful house and unadulterated dance music, foliage records continue their remarkable start to the year with their sophomore release of 2011, we can’,t loose. >we can’,t loose< is the striking culmination of bandy’,s continual progression and evolvement as an artist and producer. in an era of mechanized and synthetic sounds bandy’,s pure and wholesome incorporation of live instrumentation not only provides a much needed breath of fresh air into the world of house, but an authentic, refined and compelling exploration of his intensifying harmonious growth. seamlessly interweaving passion, originality and innovative dedication bandy’,s creative output is unmatched, deceivingly imaginative whilst remaining fundamentally coherent.
support from culoe de song, rocco, claude monnet, yass, jamie thinnes, tedd patterson, atjazz, greg gauthier, distant people, jask, master kev, dj christos ...

just over a year after it launched, jay shepeards retrofit presents its fifth release, with the label boss teaming up once again with matthew burton for a quartet of classy deepness you would expect from the imprint.

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

excellent deep groovin hypnotizer !!!

ultraphat phraekin tech monster by the alter ego member roman flügel !! incl brand new rmxs by matthew dear (spectral / ghostly)dominik eulberg, moguai!! played sven väth

the first single taken from the well-received album >black city<, >little people (black city)< comes with the original version and a huge mark e cut.

2nd release for retrofit brings 4 deep collaboration-cuts by matthew burton, kate rathod and jay shepheard.

nice price deal !!!

4 track ep with tracks by laanga, sam walkertone and sam walkertone ft francis matthew

2004 mixes by matthew herbert, swag, jimpster and speakeasy!!

nice price deal !!! music designed for the underground! aaron ross & matthew bandy have landed themselves once again on the seasons recordings imprint and we could not be more excited to have them both back working on this one together! last year bandy got hitched and moved from the quite city of denver to the thriving city of london to mix things up and ending up hooking up with mr. ross and the rest is magic! this is the first project these two have worked on together and lets hope for more in the future. this record was designed for the underground!!

cool extract from the matthew dear album >asa breed< with great remixes by hot chip, m.a.n.d.y. and dj koze !! limited backstock !!!

the music from matthew barneys drawing restraint 9!!

essential revisions of liquid liquid classics from matthew dear and sample208 with two contrasting but deadly effective rethinks...

nice longsleever from matthew dear tour

nice longsleever from matthew dear tour

nice longsleever from matthew dear tour

quality soulful deep grooving house track!!

second ep for horizontal from matthew styles.. incl lil mark rmx

nach dem sensationellen hit von mathew dear >dog days< im jahre 2003, haben sich viele produzenten gestritten hier remixe machen zu dürfen. nach 5 jahren ist es dann soweit. dj sneak, phil weeks & chris carrier haben es geschafft. sie haben alles gegeben, und es sind wirklich tolle remixe geworden!

noch n hit! swingender singsang-burner, totaler ohrwurm, sehr ernergetisch. mit pantytec remix an bord

fünfter einkaufsmarathon bei familie ware. dominik eulberg, m. schaffhäuser, markus günter, the kitbuilders, soda inc, brian aneurysm und viele andere haben den korb schon voll gemacht

strong matthew dear shirt thank you ghostly

zeitloser klassiker der matthew dear s microhousige seite zeigt, bevor er anfing als audion clubhits zu produzieren